To the reader:

Besides being a collection of images, this issue is an invitation to reflect on the nature of documentary photography of the social landscape and its capacity to reconstruct realities. It also invites us to inspect the sensory utility that photography can give us, as it is a re-vision of reality.



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To the reader:

This second issue is an opportunity to ponder our relationship with reality.

Is reality accessible, can we trust our sensory perception, if not, what is the real thing? Is it worth trying to know it? Is it better to review it by accepting our physical limit (to know it through thought, since the senses do not allow us to do so)?
What is then photography in this sense? What does photography represent now as an extension of human sensory perception?
These questions are the beginning of the study of our relationship with reality. But, more importantly, they are the questioning of the role of photography (or moving images; in short, that with which we believe we freeze perception, as space and time) in this complicated but interesting game between object and subject.

The projects presented here encourage the reader to question this relationship through the perspective of each photographer.



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